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CREDO - Paying For Everything
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CREDO - Paying For Everything (12" LP on Clear Splatter Vinyl w/ 7" EP)


United Kingdom | Black
Stock:  Yes
SKU:  02LP9721609512
LABEL : Nuclear War Now!
YEAR : 2023
View All : CREDO products
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$27.99
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Detailed Description
  • Print Location: Front Only
  • Formed in 1985, ?????? evolved from playing prog rock covers of classical pieces to energetic hard rock and, finally, to the relentless power metal of their lone vinyl release, "Dies Irae." Following that album, in 1989, the band underwent a schism, and for a while there were two parallel bands operating under that name. Alexander Bobrov, the visionary founder of ??????, assembled a new group of musicians and recorded a follow-up album called ?????? ?? ???, which was first issued as a reel-to-reel tape in 1990 under the ?????? name, but changed it to ????? for the vinyl edition. Formally released in 1991 by the Russian Disc label, ?????? ?? ???, the only ????? album, was by far the most ambitious and technically proficient recording in the ??????/ ????? catalog. It represents the culmination of the band's output, traversing the full spectrum of its sound. Sophisticated guitar and keyboard work permeate the record, with lengthy instrumental passages showcasing the superb musicianship. ?????? ?? ??? is not an empty display of virtuosity, however. The presentation of their technical abilities was not an end unto itself; rather, it was simply a tool employed when necessary to achieve a grander vision. ????? demonstrated remarkable compositional talent, deftly shifting styles and drawing upon the full palate of the band's influences and a sprawling panoply of musical genres: heavy power metal, often approaching the outer bounds of speed metal; frenetic and complex instrumental prog-rock passages with classical-inspired soloing, symphonic keyboards, and operatic singing; plaintive vocal sections with delicate piano accompaniment; and pensive power ballads. In doing so, ????? elevated their music above ordinary rock and metal, but because of the album's emotive breadth, it rarely feels over-indulgent or ostentatious. Like the music, the richly poetic lyrics transcended the usual heavy metal subject matter, focusing on more philosophical themes. Two songs were actually sourced from early 20th century poets-the German master Rainer Maria Rilke and the female Russian poet Zinaida Gippius. ?????? ?? ??? is also noteworthy for the cover art. The painting, though less technically sophisticated than the music, depicts an enormous skeleton, its skull distorted with a maniacal smile, destroying a Russian Orthodox church, while, off in the distance, an inferno engulfs another church. Possibly in an effort to appeal to metal fans abroad, as Russians sought to integrate into the larger international community amid the collapse of the Soviet Union, all of the text on the jacket appeared in both Russian and English. After the release of ?????? ?? ???, ????? continued writing new material and recorded demo tracks in anticipation of a second album called ??????????? ("Renaissance") but disbanded before its completion, leaving the demo tracks unreleased and ?????? ?? ??? as the swan song of ??????/ ?????. - J. Campbell

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