Under the watchful eye of Esoteric's Greg Chandler, the album proves that Wodensthrone's metal is one of the UK's finest exports. Wodensthrone have a growing worldwide audience that initially began with their 2009 debut, Loss. Metal Review notes, 'they share a bit of Wolves in the Throne Room's compositional style, Drudkh's obsessive yet unpretentious attention to detail, Weakling's aggression, Blut Aus Nord's appropriate use of keyboards, and Negura Bunget's love of folk instrumentation.?
