"I.N.R.I" emerges as an intriguing Black Metal album, situated within the initial wave of the genre alongside Bathory's early offerings. While it adheres to the core principles of extreme metal, it's important to note that its songwriting, production, and synchronization among band members may not reach the highest standards. Nevertheless, it exudes an unmistakable, untamed energy that sets it apart.
Exploring diverse sub-genres within extreme metal has revealed that it's not just about the musical content, but also the execution. Sarcófago infuses this release with a distinctive sense of malevolence and chaos, reflecting the early days of the genre when other metal styles couldn't match its intensity and satanic themes. The band's approach seems unpolished, as if they entered the studio and unleashed their chaotic creativity, resonating with metal enthusiasts seeking the next level of malevolent, aggressive Black Metal.
What particularly stands out about "I.N.R.I" is its clear Death Metal influence, a pioneering fusion considering that Death's debut album, "Scream Bloody Gore," also emerged in 1987. While the intention behind this influence remains uncertain, the deep growls on this record would seamlessly fit into some of today's Brutal Death Metal releases. While not flawlessly executed, these vocals complement the overall sense of unruliness.
Most of "I.N.R.I." consists of a whirlwind of blast beats and thrashy tremolo riffs that exude old-school Black Metal charisma but occasionally lose their way in execution. Tracks like "Satanic Lust" and "Nightmare" provide glimpses of different styles, but the album generally embraces a more chaotic approach.
The predominant drum mixing, with the snare and bass excessively loud, can overshadow the album's positives. While this raw, brutal production may appeal to some, the relentless pounding of similar patterns beneath comparable riffs might not suit all preferences.
Nevertheless, "I.N.R.I." possesses a unique charm and personality not always found in early Black Metal albums. The closing track hints that it may not be entirely serious, and lyrics like those in "I.N.R.I." and "Christ's Death" add to the album's character. Despite its flaws, this classic release's passion and possibly unintended charm ultimately win over listeners. It may be raw and imperfect on the surface, but it carries an undeniable appeal.
Side A:
- Satanic Lust
- Desecration of Virgin
- Nightmare
- INRI
Side B:
- Christ's Death
- Satanas
- Ready to Fuck
- Deaththrash
- The Last'slaughter
