Osmose reissue of the cult black metal album with original sound and new layout.
The cult debut album from this Greek black metal force. With two bass guitars highlighting their unique and ultra-dark approach, Necromantia made their mark with this killer debut.
Necromantia, hailing from Athens, emerges as one of the most unique and intriguing bands from the classic Greek black metal scene, standing out even among peers like Septic Flesh and Rotting Christ. Their album *Crossing the Fiery Path* is a testament to their unconventional approach, blending refined atmospheres with a raw, primal energy that defines the cult aesthetic of black metal. While not reaching the heights of their later work, such as *Scarlet Evil Witching Black*, this album is a chilling tribute to horror, with a sound that is both creepy and captivating.
The album's diversity is striking, ranging from the hellish chanting of "Les Litanies de Satan" to the Gothic piano/synthesizer overture of "Tribes of the Moon," to the epic black/doom journey of "The Warlock." The use of an 8-string bass instead of a guitar adds a unique dimension to their sound, giving the music a primitive, almost Hellhammer-like quality. The combination of raw drumming, distorted bass, and Magus Wampyr Daoloth's malicious vocals creates a haunting and authentic atmosphere, like a soundtrack to a series of unmade horror films set in Transylvania.
While the album is mostly consistent in its dark and sinister tone, "Last Song for Valdezie" stands out as a deviation, featuring a soothing bass solo with ambient choir keyboards. While not as impactful as the rest of the album, it adds a moment of respite amidst the carnal festivities. Overall, *Crossing the Fiery Path* is a remarkable debut, showcasing Necromantia's vision and sincerity. Even years later, it remains a grim and enchanting listen, solidifying its place as one of the best offerings from the Greek black metal scene.
