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MORBID ANGEL - Domination [Jewel Case]
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MORBID ANGEL - Domination [Jewel Case] (CD)


United States | Death
Stock:  Yes
SKU:  01CDear4958
LABEL : Earache
View All : MORBID ANGEL products
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$13.99
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Detailed Description
Morbid Angel’s Domination represents a bold and masterful evolution in their sound, showcasing the band’s incredible musicianship and fearless experimentation. While it doesn’t possess the sheer brutality of its predecessor, Covenant, it confidently strides forward, mixing elements of death metal’s unforgiving aggression with surprising moments of groove and melody.

The album opens with the blistering intensity of "Dominate," a track that immediately establishes its ferocious pace before segueing into the monumental "Where the Slime Live." This track is a standout, with its eerie atmosphere and morbid groove, serving as a perfect example of Morbid Angel’s unique approach to death metal. The addition of Erik Rutan (formerly of Ripping Corpse) to the lineup elevates the guitar work to new heights. His contributions are a revelation, adding a layer of complexity and melody that complements Trey Azagthoth’s signature chaotic brilliance. The dual guitar solos throughout the album are nothing short of electrifying, with "Nothing But Fear" and "Hatework" delivering some of the band’s finest moments.

While the album embraces a slightly more polished production compared to earlier works, this doesn’t diminish its intensity. Pete Sandoval’s drumming is on full display, moving seamlessly between blast beats and mid-tempo grooves, and his syncopated footwork offers a solid backbone to the album’s dynamic rhythms. David Vincent’s vocals are as menacing as ever, though his delivery here takes on a more nuanced, less guttural tone, adding to the album’s overall experimental edge. Tracks like "Eyes to See, Ears to Hear" showcase his ability to blend melody with brutality, while "Hatework" is an unsettling, almost cinematic masterpiece that stands as one of the band’s most ambitious compositions.

What sets Domination apart is its balance of accessibility and extremity. While some might take issue with the electronic elements ("Dreaming" and "Hatework"), they serve as atmospheric interludes, experimenting with industrial textures without compromising the core death metal sound. The occasional use of vocal effects adds an unsettling quality that complements the album’s darker themes. Despite some reservations about tracks like "Caesar’s Palace" and "This Means War," which lack the immediate impact of other songs, the album as a whole remains an innovative and captivating journey.

In conclusion, Domination stands as one of Morbid Angel’s finest achievements, a testament to their ability to evolve while maintaining the core of what made them legendary. It’s a must-listen for fans of death metal, offering both complexity and accessibility without sacrificing the raw power that defines the genre.


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