As it did with its first album, Man, God, Giant, in 2013, Katechon of Trondheim, Norway hereby releases its second full-length, Coronation, under the banner of Nuclear War Now! Musically speaking, Coronation picks up much where the previous album left off, having also been recorded at Nordstern and mixed, mastered, and produced by the band itself. Additionally, as with Man, God, Giant, Katechon has once again chosen the talents of artist Mari Oseland to portray its visual aesthetic. On the other hand, there are noticeable differences between the two albums that enable them both to stand apart on their own individual merits. Whereas the songs on the first album were generally somewhat more straightforward and easily-digested, as well as a bit shorter, Coronation places a greater demand on the listener by invoking more dissonance, atonality, and a higher degree of intricacy in its compositions. Thematically speaking, Man, God, Giant was more metaphysical and philosophical in nature, complete with Lovecraftian creatures and images. In contrast, Coronation explores the autonomy of self - on the one hand alone, but on the other thriving in its complete freedom from society's imposed norms, rules and doctrines. This album embraces the sickness and delirium that are prone to infect the imperfect being's mind, and it prefers to proclaim Nietzsche a coward by instead staring directly into the abyss and diving right in.
