In the spring of 1969, 49th Parallel scored a hit with “Twilight Woman”—a dreamy, melodic track that feels like a pop-leaning counterpart to the psych-rock sounds emerging from England’s underground scene, akin to bands like Tomorrow. That single’s success paved the way for the release of the band’s sole full-length album, a record that—without exaggeration—ranks among the finest Canadian rock albums of the psychedelic era.
From start to finish, the album is a compelling listen: the swirling psychedelia of “Lazerander Filchy” and the bizarre, mind-bending “(The) Magician” offer a taste of the band’s experimental edge, while “Twilight Woman” glows with delicate beauty. On the heavier end, “Now That I’m a Man” and “(Come On Little Child &) Talk to Me” bring raw energy and punk attitude, showcasing the band’s range.
Dan Lowe’s fuzz-drenched guitar is a consistent highlight, particularly on “Missouri,” while keyboardist Jack Velker adds depth and texture with standout organ work on “Eye to Eye,”“Talk to Me,” and “(The) People.” A hidden gem of North American psych-rock, 49th Parallel’s lone LP remains a vital, electrifying listen decades later.
