RUNNING WILD - Little Big Horn (12" SHAPED PICTURE DISC)

The Little Big Horn EP serves as an intriguing companion to Blazon Stone, capturing Running Wild's signature sound with both hits and misses, yet still delivering moments of undeniable greatness. While the tone and energy across the EP are reminiscent of the album’s spirited anthems, one track, in particular, stands out as an unforgettable triumph.

The titular track, “Little Big Horn,” is a masterclass in how Running Wild channels historical storytelling into heavy metal majesty. The warlike drumming forms the perfect battlefield cadence, with Rolf Kasparek’s infectious vocal delivery driving the track’s narrative. Every element clicks—the razor-sharp riffs, Jens Becker’s fluid basslines, and the soaring melodies blend seamlessly to create a track that’s as energizing as it is emotionally evocative. The brass outro, invoking the solemnity of “Taps,” brings a poignant close that lingers long after the final note. Few songs manage to balance storytelling, musicianship, and raw emotion this effectively.

“Genocide,” a cover of Thin Lizzy’s gritty Western ballad, takes a different route. It leans into a burly, Judas Priest-like guitar tone that roughens the edges of the track, evoking the harsh realities of the American frontier. While the riffs are delightfully raw, the chorus falters in holding long-term interest, and the song struggles to reach the heights of the EP’s standout moments.

Then there’s “Billy the Kid,” which opens in a disorienting fashion before locking into its stride with a galloping harmony. The Maiden-esque guitar interplay is sharp, and Jens Becker’s basslines remain a highlight. However, the song’s chorus doesn’t quite do justice to its titular outlaw, feeling repetitive despite Rolf’s impassioned delivery. That said, the track still carries a certain charm, particularly in its spirited execution and solid production values.

Ultimately, Little Big Horn is carried by its title track—a song so well-crafted and inspiring that it alone justifies the EP’s existence. While the other two tracks offer some enjoyable moments, they don’t quite rise to the same level, serving more as bonus curiosities than essential listens. For fans of Blazon Stone, this EP is worth a spin, if only to fully appreciate the brilliance of “Little Big Horn.”